This little green, caramic frog is sitting on our piano. I’m not sure exactly where it came from. Cathy probably knows but I haven’t bothered to ask. It probably showed up in a box at her mom’s house sometime in the last nine months. I don’t remember when it appeared on the piano, but there it is. As you may be able to see, it’s front left leg has been broken. It doesn’t affect the frogs ability to hop, though. That’s mostly because ceramic frogs don’t move very much, I suppose.
Tagged With: Ceramic
We don’t really know much about this plate. It appears to be Japanese, although we don’t actually know where it was produced. We also don’t know how old it is. This is not the whole plate, clearly, but a detail of the center, not quite reaching the edges in the corners of the image. There is a style called “Thousand Faces” and when you search on that, you find a few images that look a bit similar to this but for the most part, that seems to indicate a very particular style (or possibly two styles). Some show many fewer faces than this plate and only perhaps a dozen faces, so I’m not sure where the name comes from. Others fit the name better but not as well as this one, perhaps. On the other hand, this may not be particularly old and doesn’t even qualify as anything in particular. It is nice, though, and I like the fact that most (if not all) of the people depicted are different from one another. In any case, that’s what I have for today.
This is a plate that my mom made in 1955 and I’ve always loved it. She was at the School of the Museum of Fine Arts in Boston. She insists it wasn’t graduate school because she didn’t get a degree, but I still think of it as grad school. She had finished college and was in art school. Ceramics wasn’t her main thing, but they did a little of everything including painting and sculpture, as well. Her interests were in textiles and she did a lot of silk screening. I still have the curtains that she made and which we now use as drop cloths for painting. But this plate is, I think, really nice. I wish we had some clue about the composition of the glaze, which is lovely. We have her wheel and kiln and would really like to get around to using them again.