Tagged With: Nativity

Peruvian Creche

Peruvian Creche

Peruvian Creche

We went over to Cathy’s mom’s house this afternoon and set up her Peruvian Creche in her living room. If you look closely (and you don’t need to look that hard) you might notice some less traditional visitors to the manger this year. That’s completely appropriate if not historically accurate. All are welcomed to come to Jesus, young and old from every language, nation, and race. Animals, too, came to adore him. If they hadn’t, the stones themselves would have cried out.

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Peruvian Nativity Scene

Peruvian Nativity Scene

Peruvian Nativity Scene

I posted a picture of this Peruvian nativity scene last year (see: Saturday, December 23, 2017) but that was at my mother-in-law’s house. This year it’s in our living room, on top of the piano. Also, this year I confined myself to just the people and animals that actually go with the set. Last year I included two water buffaloes (one with a boy on its back), three parrots, a llama, a cow-shaped milk-pitcher, three brass monkeys (of the speak, hear, and see no evil variety), as well as various other figures. As you can see, the Pakistani Doll I photographed and posted a few weeks ago (see: Tuesday, November 27, 2018) is still on the piano.

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Peanut Creche

Peanut Creche

Peanut Creche

This little creche is made with bits and pieces from the kitchen. Mary, Joseph, and the baby Jesus are peanuts with Halos made from Cheerios. The magi—or maybe those are angels, it’s in some dispute—are made from Hershey’s kisses. The sheep are pumpkin seeds with broken toothpicks for legs. I’m not entirely sure what is in the foreground. Perhaps that’s food for the animals (and the baby didn’t fit in this manger so he’s next to it instead. The yarn person, which is perhaps a shepherd, is not to scale but is definitely part of the composition. The frog, however, is almost certainly apocryphal.

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Nativity Scene

Nativity Scene

Nativity Scene

This is a close-up of the nativity scene on our piano. The more traditional figures, Joseph, Mary, Jesus, and in this case a llama, are from Peru. Cathy’s grandmother lived in Lima for many years so it’s not surprising that her family had things from there. The “barn” for this set is home made, with sticks fashioned into a sort of timber frame and with a woven mat for the floor, the back wall, and the roof. When Dorothy put this up, she augmented the attendants somewhat and I’m not sure of the authenticity of all the characters represented. The parrot fits with the South American theme, but I think the little Chinese boy may be a bit out of place. Also, when Mary asked Joseph about the tree in the background, he told her it was a Christmas tree. She asked what Christmas was and he said, “I have no idea.”

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