Cathy and Dot in Shindig by Patrick Dougherty
On our Annual Museum Outing (Tuesday, December 29, 2015), Dorothy, Karlee, and I visited the newly reopened Renwick Gallery of the Smithsonian American Art Museum and I posted quite a few pictures from that outing. Cathy was quite busy at work, as she usually is before and for a while after year-end. Because of that she was not able to join us for that trip. Today Cathy and I braved the cold February weather and along with my mom (Dot) we went to the Renwick. I’ve picked some pictures that I hope are enough different to those I posted last time. But of course they will be similar.
It the first picture, Cathy and Dot are posing in Shindig by Patrick Dougherty, who weaves “enormous pods that offer discovery and sanctuary to visitors“ with “willow osiers and saplings.”
Detail of Plexus A1 by Gabriel Dawe
Our favorite room is the second one, which features an installation called Plexus A1 by Gabriel Dawe. It is made from hundreds of thin, colored threads stretched between hooks on the floor and on the ceiling. In addition to the beautifly rainbow colors, we found the interference patterns of the threads quite lovely. here the red threads in the foreground come together and let the yellow and green show through more clearly in a narrow band that moves up and down as you move along. For anyone interested, from each hook, there appear to be 24 threads running up to the ceiling (or 12 loops over the hook). This took a little time and probably a serious amount of patience.
In the Midnight Garden by Jennifer Angus
My second favorite room, although not to everyone’s liking, is In the Midnight Garden by Jennifer Angus. Otherwise known as “the bug room.” My photo last time was a detail of a skull, made up predominately of electric blue beetles from New Guneau (from the genus Eupholus for which you should do a Google image search, seriously). This time, I’m giving you a more overall view of the room, so you can see all the patterns the artist, who is a textile artist (along with being into bugs).
National Gallery of Art Rotunda
We saw all the exhibits, of course, and I took over 200 pictures, so this is just the tip of the proverbial iceberg. From the Renwick we went to the National Gallery of Art because we wanted to see an exhibit called “Power and Pathos: Bronze Sculpture of the Hellenistic World.” If you have the slightest interest in Greek history, in sculpture, or art in general, I highly recommend this exhibit, which will be at the National Gallery through March 20 (so go soon).
I think my favorites in the collection are a Medallion with Athena and Medusa, 200 – 150 BC, from the Archaeological Museum, in Thessaloniki; a Portrait of a Man, c. 100 BC from the National Archaeological Museum, in Athens; and the Portrait of a Poet (“Arundel Head”), c. 200 – 1 BC; from the British Museum, London. Don’t be tempted to look for pictures and leave it at that. They are much more beautiful in person.
As is usual for these special exhibits, photography is not allowed, so I don’t have a picture to show you. Instead you will have to settle for another picture of the gallery’s rotunda.